Tag: Horror

Sorrowland

Posted on by Page and Prose

 

Sorrowland was certainly an interesting read. At the tender age of 15, flees from Cainland, the isolated compound where she has spent her entire life, and makes a life for herself and her twin children in the woods. The spectre of Cainland and its dark secrets continues to threaten Vern, Howling and Feral even in the wilderness and they find themselves in a fight for their very survival.

I was really taken with the beginning of the book, I was intrigued by Vern’s story and eager to learn the truth about Cainland. I was also incredibly impressed by the diverse representation in the book – albinism, disability, LGBTQIA2S+, BIPOC. I adored the characters especially Howling and Feral, and I was so happy when Vern and her twins built a “found family” with Gogo and Bridget.  Rivers Solomon  created empowered characters that faced racism, abuse, homophobia, transphobia, religious indoctrination, and yet refused to accept oppression or succumb to circumstance. I really wanted to give the book 5 stars … and then the big reveal. 

Warning – Spoilers ahead.

For more than half of the book I had assumed a supernatural/haunting theme to the story and then suddenly the book switches gears and we’re into government conspiracies, human experimentation and hybridization with sentient fungi.  That’s where Solomon lost me, it just seemed very disjointed and I just couldn’t suspend disbelief a as Vern turned into an immortal, psychic, exoskeleton covered fungus creature.  It became hard for me to remain engaged in the story and I almost DNF’d the book. It was unfortunate because Sorrowland had started out so strong. Maybe other people will appreciate the book’s twist, but it simply wasn’t for me. I did really enjoy the author’s rich storytelling and character building though, so I’d still be willing to try reading more of their work in the future.

Thanks to NetGalley and Farrar, Straus and Giroux for providing an eARC of this book for review.

– Hailey

 

She was a girl made of aches and she flung her body at the world in the hopes that something, anything, might soothe the tendernesses.

Rivers Solomon

The Space Between Two Deaths

Posted on by Page and Prose

 

The Space Between Two Deaths had a fascinating premise, very little modern literature focuses on Sumerian culture, religion and mythology. I thought that the story started off very strong with the sack of Uruk by the army of Nippur which throws off the balance between the land of the living and the netherworld. As a result of this imbalance a rift opens up in the earth leading down into the netherworld. Here is where I felt the author missed an opportunity – though the rift did play a role in the lives of the main characters, the larger implications of the rift on Sumerian society was ignored, it was as if no one else was affected by this supernatural event. It had seemed as though the author had set the scene for the dead to rise and overwhelm the living, for mythological creatures or deities to assert their influence, but none of this occurred.

The rest of the novel was, in essence, a family drama. Though some aspects were interesting, I personally found all the main characters to be rather unlikeable and as such I felt it difficult to become emotionally invested in the tale. Temen, Meshara and Ziz were all callous and self-interested without a sense of care or concern for the other members of their family. Temen was violently abusive and lacking in work ethic, Meshara was deeply resentful and happy to abdicate any sense of maternal duty, and Ziz thrilled in carrying out theft and violence with little sense of consequence. Themes of physical and sexual abuse, child marriage, slavery, mutilation and even cannibalism seemed to be casually thrown into the book without much commentary or critique.

I think my favourite parts of the book were the chapters narrated by the crow, who was the least problematic and most interesting character. I did really enjoy the ending, (at least for Ziz and the crow). Overall the book beginning and ending of the book are very strong, its just the muddle in the middle that I’m not sold on.

Thank you to NetGalley and GenZ Publishing for providing a e-copy of this book for review. 

– Hailey

 

 

So much had gone unsaid between them – to tease out one thread risked unraveling the entire tapestry.  Perhaps a story was for the best, one in which the outcome was predetermined.

Jamie Yourdon

Skyward Inn

Posted on by Page and Prose

 

Cover of Skyward Inn, by Aliya Whiteley

Skyward Inn was certainly unique. I took a few days after I finished reading this book to collect my thoughts and I’m still not entirely sure how I feel. Aliya Whiteley succeeded at creating an engaging novel that captivates the reader. I was thoroughly invested in the story and I didn’t want to put the book down, however, I’m not sure if that’s a credit to the actual writing or simply an indication of how confused I was and much I wanted answers.

We burn history down, over and over, as an act of remembrance. When there are no answers, there is recollection, and repetition.

– Aliya Whiteley

I was a bit irked by the alternating points-of-view (Jem’s was first person, yet Fosse’s was third person) and I thought that some unnecessary elements were added simply to unsettle the reader, when the surrealist nature of the book would have been sufficiently unsettling on it’s own. I really could have done without Fosse’s masturbatory scenes at the farm and the rather distasteful revelation about “brew” and bodily fluids. There was also a sudden and unexplained timeline shift toward the end of the book that didn’t feel all that effective as a plot device.

Initially, the book seemed to be a commentary about colonialism and the exploitation of indigenous peoples, their land and their resources. When the “Kissing Gates” appear on Earth, humans immediately seize the opportunity to mount a military incursion on the planet of Qita. They then take advantage of the Qitan’s peaceful nature in order to appropriate the planet’s resources and bring them back to Earth. Ultimately, it is revealed that the Qitan’s aren’t quite as docile as they appear, and that maybe it isn’t the humans who are the colonizers. So perhaps the story is actually a critique of human arrogance. Either way, it was a stunning twist that I very much was not expecting.  The author also makes a powerful statement about the nature of assimilation and how little choice people are often given in the matter.

Most of the story is set in the Western Protectorate, which seceded from the UK and rejected all modern technology following the appearance of the Kissing Gates. I thought that the Western Protectorate beautifully encapsulated the concept of hiraeth, a Welsh word with no true English equivalent that can be translated as a “longing for a home that no longer exists or never was”. Many characters in the book have an idealized, nostalgic view of the Protectorate that they try to cling to even if change is inevitable. I think that in our rapidly changing world, where technology seems to take precedence, the desire for simpler times will resonate with a lot of readers.

At then end of the day, I do think that Skyward Inn is a worthwhile read. Stylistically, it’s quite different from other books on the market and the content will challenge the reader’s perceptions and leave them thinking long after they finish reading.

Thank you to NetGalley and Solaris Books for providing this ARC.

– Hailey